January 28th, 2011
Today in class we began our discussion with poem 185, but I felt like it never really concluded–probably because we continued the discussion about its prominent themes into the other two poems (194 and 225). Something that interested me were, of course, the two most prominent images in the poems and trying to determine which is the metaphor for which in each situation. The idea was also tossed around that maybe there’s a switch within the poems, specifically in 185 between stanzas. I guess I want to flesh out what the implications of each metaphor my be and try and give a reading of these poems with that in mind and then this post can serve as a gateway for others to put forth their own readings.
So my first instinct is that death is the metaphor for marriage. If that’s the case then marriage is the cessation of life, in this case, the bride in particular. I don’t think it is necessarily what kills the bride besides the fact that this death obviously has agency since the woman cannot pursue a marriage and force a man to marry her. This would imply that after a woman is married what follows is a lifeless existence and that brides are no more than images of death walking around and speaking when spoken to in the private sphere and not at all in the public sphere. This obviously does not bode well for the marriage in the eyes of Emily Dickinson. Or does it? Let’s look at it the other way. If marriage is the metaphor for death, this may be a good thing. There’s the curious use of the word “Victory” in 185 and 194, but from her dripping sarcasm in 194, I’d have to say we might apply the same to 185–especially since the second half of that poem and it’s creepiness definitely seems more like a bad thing than a good thing. Plus, as we’ve seen from her letters, she clearly is very suspicious of the marriage institution. In regards to it switching mid-poem or between stanzas (at least in regards to 185), I don’t think the text supports it. What I mean is that I think it’s running through both stanzas–the wife in the first stanza, the child in the second; the passing “Unto the East” in the first stanza and “The Angels” bustling in the second.
So my candidate is that death is the metaphor for marriage here. But what I’m wondering is what does that do for her poems that are primarily about death and it doesn’t seem as though marriage enters into it? Does this change your understanding of how Dickinson’s relation to death is something that might be very real to her–a lurking possibility, just around the door? What do you all think?
Choke of the Day: Dropping the Dickinson doll–both times–was hilarious, complete with the readings outside the door and little Emily Dickinson hovering in the crack to “read” her poems to us.
Class MVP: Alyssa for initiating the motion to do something about it whenever someone drops the Dickinson doll and (I think) coming up with our first plan of action against The First Dude. We’re counting on you Snape!
Quote of the Day: [Insert Gary Richards’ Dickinson parody poem here]
The only one I remember in full is:
My Life had stood – a Loaded Gun –